...and it doesn't excuse Hollywood to do the exact same thing. Not even the least bit of it.
Except of course that this isn't happening in a vacuum. Yellowface and racelifting is still going strong in Hollywood. 47 Ronin suddenly had a very non-japanese Keanu Reeves as the front character. The Last Airbender turned all major characters caucasian and the villains into brown people to boot (and had to gall to ask "korean" extras to come in traditional "kimonos"). That stupid King of Fighters movie turned Kyo Kusanagi into a white guy ("half-japanese" my ass). The fucking Akira movie is poised to racelift all major characters into whiteness. Scarlett Johansen to play Major Kusanagi isn't a choice of ability or aesthetics, it's racial, there's no denying it, not when Hollywood has had a habit of doing so for so long.Grumman wrote:The exact opposite. I mean, it's right there in the title: The Ghost in the Shell. The Major is not her full-body prosthetic, she is the "ghost", the soul, that inhabits it. That her prosthetic looks like Scarlett Johansson and not Rinko Kikuchi is an aesthetic choice at most.
Know what? Let's make a Washington biopic where Takeshi Kaneshiro plays Washington, Shaun Toub plays Benjamin Franklin and George III, well, he stays white, but wears a cowboy hat, jeans and talks like a Texan and is played by Billy Zane. You know, for aesthetic reasons.