Cromag wrote:But that is not my assumption. It is entirely possible that I have missed subtle nuances, or mangled something inadvertently. However, I do not believe that I have utterly misrepresented the concepts involved, as some have claimed.
Nor do I believe that I have I accused you of such.
No, not you . . . perhaps "others" or "some others" would have made a better fit in the sentence. Sorry.
It is the subtle nuances where I believe the matter shall be settled. Let's focus on those.
Sounds like a plan.
As far as any deliberate misrepresentation; innocent until proven guilty, I'd say.
An impressive display of decency, given the behavior in most of these debates. You get another cool point.
The entire quote seems to be strictly about how Wilson and Rostoni, as part of their job for LL, were careful to maintain continuity in the stories being written that comprise the EU. A job that Rostoni continues to this day. No more, no less.
Each side seems to be using this quote as though it were a Lucas affiliated official talking about the place that the EU has in the SW canon; yet the quote makes no mention whatsoever about the films or GL or, for that matter, even "Star Wars". It seems to me that both sides could lay equal claim to it as proof of their view, so it's pointless to debate it.
It is true that the quote makes no relation between the canon and the EU. However, I find it relevant insofar as it makes specific reference to the continuity decision . . . that they would monitor things and try to ensure that no book contradicted another. While perceptions may differ as to whether this has been achieved, it doesn't deflate the point that such was their intent:
"The two of them decided that to maintain quality, it would be
crucial to monitor the storylines of all projects and ensure that none
of their books contradicted one another. This continuity decision became
one of the department's biggest challenges--and greatest successes."
Cromag wrote:
She didn't even use the word "continuity" in her quote. If there really is such a creation as "EU Continuity", then it would be pretty unusual for the person who created it and fervently maintained it for many years to mix it up so many times in one quote.
Perhaps. However, given that her use of the term "Canon" is also contradictory to
every other use of the term, we are forced to either throw out her quote in its entirety, or attempt to make it work in light of the other knowledge. If you choose the latter, as I did, you'll likely end up doing I have done.
She used "Canon" to talk about the EU books, and only the books.[/quote]
Egad. (shudders in fear at having to talk about Canon EU (as per Rostoni) in addition to Canon, Official, Quasi-Canon, et cetera. Takes aspirin in the hopes of preventing headache.)
She goes on to say the "Infinities" material is not considered part of the SW history. How can we view this, as you say, in light of the other knowledge?
For ease, I'm putting the quote right here (feel free to snip):
"Canon refers to an authoritative list of books that the Lucas Licensing editors consider an authentic part of the official Star Wars history. Our goal is to present a continuous and unified history of the Star Wars galaxy, insofar as that history does not conflict with, or undermine the meaning of Mr. Lucas's Star Wars saga of films and screenplays. Things that Lucas Licensing does not consider official parts of the continuous Star Wars history show an Infinities logo or are contained in Star Wars Tales. Everything else is considered canon."
The problem I see with the view that ""Infinities" material is not considered part of the SW history" would be that her definition of what that history is and who makes it is fundamentally flawed, just as much as her use of the term "canon" is. You'll note that her phrase "a continuous Star Wars history" refers to one based on the dictates of Lucas Licensing. It's 'continuousness' is based on the attempt to prevent conflict with, or any undermining of the meaning of, Lucas's films and screenplays, and they have created the "Infinities" logo to blackball particular works from being a part of the EU history. Cerasi also makes reference to this concept, as quoted by Sansweet:
"In order to allow unlimited freedom of storytelling, the Infinities label has been placed on the anthology series, Star Wars Tales. This means that not only can the stories occur anywhere in the Star Wars timeline, but stories can happen outside continuity. Basically, if an event happens in Tales, it may not have necessarily happened in the rest of the expanded universe."
(Notice, once again, how the concepts of "Expanded Universe" and "Continuity" seem linked. He actually does that several times in the article.)
I do not see how the Rostoni quote harms my contention, because Rostoni makes it plain that the EU Continuity/Canon/"official Star Wars history" is subservient to Lucas's films and screenplays. That
does not suggest that EU information is as good as Canon when the Canon is silent, as is the common presumption. It also
does not require that the EU take place in Lucas's world/universe. We know, as per Lucas, that it doesn't.
If we take Cerasi's analogy, that every bit of published SW fiction is a window into the "real" SW universe, with some windows a bit foggier than others and some decidedly abstract (useless?), then Rostoni's "Canon" material (ie. the books w/o Infinities logo) could be viewed as some of the clearer windows. The rest of LL's products would be the abstract, perhaps even useless, windows.
A strong argument, but there are equally weighty problems associated with inserting those analogues into that analogy.
1. As Cerasi says, each contains a nugget of truth.
1-A. When we peer into the EU's window for insight into the 'real' Star Wars universe, we are ignoring the caveat that "When it comes to absolute canon, the real story of
Star Wars, you must turn to the films themselves - and
only the films." (Italics Cerasi's)
1-B. We do not know whether what we see through the distortions in the foggy glass is accurate or not. Indeed, we can never be certain, whether the actual Canon reality contradicts what we are told in the EU or not. The safest course is to assume that the 'nuggets of truth' are those elements which are 'liberated' directly from the Canon, as opposed to the new, uncertain EU material.
For example, if an EU work said "Luke sat back and remembered firing the proton torpedoes into the Death Star, pulling his X-Wing clear, then twisting around in the cockpit and taking a gnarly dump on the flight controls," I would consider the "nugget of truth" to be that which could be confirmed in the movie . . . as opposed to the nuggets he was dropping on the console.
2. Rostoni's own comments imply that they are attempting to create
a continuous and unified history. This doesn't mean it is
the history of Lucas's Canon Star Wars universe, and (whatever your perceptions of the "parallel universe" quote) it is clear that Lucas considers himself at liberty to create discontinuity and disunity at his whim.
3. Though I am uncertain as to whether this is implicit in your view, I wanted to refer to it anyway: I am opposed to the concept which I refer to as "Canonicity Whiplash", whereby the removal of Infinities-marked material from the Continuity is thought to constitute proof that the EU's Continuity is part of the Star Wars Canon (unless contradicted).
4. (A continuation of 1-B, I suppose) Rostoni's quote, mixed with Cerasi's windows, leads to a perilous conclusion. Rostoni says all EU is Canon/official Star Wars fact. Under the Cerasi dictate, however, there must be a spectrum of fogginess involved for the EU, with Infinities (presumably) being so abstract as to be virtually opaque. Therefore, taking the EU wholesale, as per Rostoni, must inevitably lead to historical and factual error.
When did someone explain "official"? I know Canon was fairly well explained in the Insider #23 quote and others, and Quasi-Canon was created and explained by Sansweet in the foreward to a book, but I know of no quote which stops to define "official". That was the original point I was making when this whole debate started.
Actually, I believe the term "official" was coined so that we wouldn't have to keep referring to "Every piece of published Star Wars fiction, with the exception of anything with the 'Infinities' logo, which are subject to the canon films, screenplays, film novelizations and radio dramas (in that order)."
Bingo. The problem, though, is that the common insertion of this "official" category into the SW Canon Policy doesn't work. There is no clear basis for it. It is, as per Dalton, "logical interpolation by us".
Wow . . . I'm not even sure I can divine what that means. Are you suggesting that the "parallel universe" of licensing somehow contributes to his universe?
If you mean does GL sometimes get ideas from works produced by LL? Yes, he does. I believe that's how we got "Coruscant".
Actually, I meant it in the broader context:
The bigger point is that these worlds GL spoke of that run in parallel are merely the film producing world of GL and the world of LL which produces works in various mediums.
Again, the peril involves not only the different worlds, but a parallel universe.
I just can't see that. I mean, it's a fine shot, and definitely the most reasonable alternative idea on the quote that I've heard, but I just don't see how it can successfully co-exist with the idea that "this other world" is a "parallel universe". If it weren't for the term "parallel universe", I could go with the idea, but it strikes me as pretty clear that he considers the EU outside of his Star Wars world/universe.
If LL only produced stories for the EU, I would agree with your assessment, but they also license products they never intend to become part of SW history (eg. Star Wars Monopoly).
Is the Monopoly game labelled with the Infinities tag? If not, we have no evidence that it (or, at least, the information it contains) isn't a part of the SW EU Continuity, in some strange crack-addict fashion.
LL is a "parallel universe" insofar as it consists of several "worlds" (or entities again, to be consistent) each one handling production of books, games, and comic books.
The entities are multiplying.
Overall, though, I just can't go with you on this trip . . . from where I sit, it looks like you're taking the ideas far beyond the region of fit. The EU contains these further worlds you posit . . . they are, indeed, part of the EU world that Lucas identified. It's an all-or-nothing deal.
Were they to intrude on his period of time, they could, to borrow a phrase, "undermine the meaning" of Lucas's work.
However, we can't really base an argument on this, since we don't know just where the "stay the hell away from the canon" idea came from. We don't know if Lucas said something along those lines to Wilson and Rostoni, or if they decided it on their own, or if it just happened that way since novelisations had already been produced. I figure it is most likely the latter.
The source of the rule doesn't matter so much.
Well, actually, I think it does. If, from on high, Lucas said "you wanna do
what?" it would mean one thing. If, on the other hand, it was an editorial decision on the part of Wilson and Rostoni, it would mean another. If it is just happenstance, it means very little.
The EU has intruded, though, insofar as creating a parallel-universe set-up for the Canon tales, as well as creating an aftermath. I don't see how these intrusions actually make the parallel universe part of the real Star Wars universe, however.
I am not trying to use the intrusions as evidence of EU being a part of SW.
Ah, sorry. As you may have noticed, there have been numerous variable and mutually-contradictory counterarguments presented, making for a bit of a jumble, at times. The attempt to use intrusions as evidence is, at the moment, being championed by Spoofe. Sorry for my confusion.
All I'm saying is that the Cinescape quote is about who is going to continue to create SW stories after Ep 3.
That's clearly the main thrust, but it is equally clear (based on his between-the-movies comments) that he's addressing the licensing world in general.
Well, we know from Kevin J. Anderson that, at least on one occasion, background material has been written in the EU on the basis of Lucas's own beliefs on the matter. (
http://www.h4h.com/louis/sources.html, about halfway down the page (several paragraphs of red text))
True, but your theory is that GL is saying "EU = parallel universe". In order for the Cinescape quote to fit your theory "George Lucas" would literally have to be involved in the parallel universe (just not too involved), as a character in one of the EU stories.
What?
Either that, or GL's world "which is the movies" somehow told KJA that he needed to present the Sith as aliens dominated by Dark Jedi.
What? This comes closer to making sense, but I still don't see where you're headed with this . . . or, for that matter, where you are at the moment.
The link you provided shows that GL has "involved himself", for lack of a more elegant term, over at LL by submitting a background for the Sith that authors need to adhere to in their work.
Well, I didn't see the quote being characterized that way. From what I understand, Lucas was consulted, but I don't get the impression that he wrote a memo saying "oh, by the way, this is how such-and-such should happen."
This is more in line with my interpretation that parallel universe = LL, the Earth based company that produces books, games, and comic books.
So, wait . . . what you're saying is that you don't think Lucas was talking about the
content?
An author getting ideas from Lucas just doesn't make the case that the universes are one and the same.
No, but it does make the premise of a "world", represented by either a man you could literally bump into or a series of films, giving guidelines to a "parallel universe", the EU, a non-sentient being incapable of following guidelines of any kind, seem rather farfetched.
Again, we've reached a bit of an impasse. You seem to be requiring that I excise the human component out of the Canon Policy statements and the subjects/topics thereof.
The problem I see with that, though, is that the very same people who constitute the human component are the ones creating the Canon Policy to begin with. While we may speak of the EU as an ever-shifting entity that must adhere to the (currently) ever-changing Canon, it's obvious (I think) that this personification is only meant to represent the human component behind the Canon and EU.
There's Lucas's "world, which is the movies". I don't think he means that he lives within the movies or on the film ("Honey, I shrunk the Director!"), nor do I think he simply means "I'm the guy that makes the movies". If he wasn't referring to content, the entire quote rapidly becomes a jumble of disjointed concepts.
"SW-based" being the keyword.
A term
I used and thus meaningless for discussion of official quotes. I am nothing.
I wasn't suggesting otherwise, in either case.
There are thousands of stories to be told about the characters, but this does not mean that the stories they tell occur in the same galaxy he gave them a glimpse of. I'd say that the clear "parallel universe" concept overrides a contrary interpretation.
At least in the SotME quote, GL says
something about the EU, albeit indirectly, the "thousands of stories" are the EU.
Inspired by a glimpse of a galaxy that the Canon provides. But, mixing this with a dash of Cerasi, an inspiration based on a glimpse might stumble into nuggets of truth of Lucas's galaxy/world/universe, or it might not.
In short, by your theory, "thousands of stories" = EU = parallel universe and thus is not part of SWU. The problem is that you have not proved that EU = parallel universe with the one source of evidence you have (GL's Cinescape quote).
I'm sorry, but I still don't see how I haven't. Your wondrous courtesy has prompted me to return the favor and mentally try to go the extra mile when trying to see where you're leading me with your ideas. But, I just can't wrap my head around the idea that the Cinescape quote does not refer to the content of the worlds/universes. There are too many counter-indications, and I cannot ignore them.
Besides which, Lucas's precise definition of the concept ("other world", "parallel universe") reinforces and gives a name to the ideas I already had based on the other Canon Policy quotes we work with.
Would you not agree that we should alter theories to fit evidence/definitions, and not vice versa?
Yes, but the evidence for your particular definition of "Continuity" and its use by the quoted officials doesn't justify altering the current theory that what they meant by "continuity" is that which you find in a dictionary.
I simply could not see how this:
http://www.dictionary.com/search?q=continuity
(I presume "An uninterrupted succession or flow; a coherent whole." . . . presumed to refer to the Canon and the Non-Canon together)
... could be mixed with the usage/explanation in the following:
"LucasBooks works diligently to keep the continuing Star Wars expanded universe cohesive and uniform, but stylistically, there is always room for variation."
"Yes, Star Wars Gamer is part of continuity, though as game material, there is room for interpretation. Only specific articles marked with the 'Infinities' logo within the magazine should be considered out of continuity."
"Fans of the old monthly Marvel Star Wars comic will be heartened to know that LucasBooks does indeed consider them part of continuity. Decades of retrospect haven't been kind to all the elements of the comic series, but the characters and events still hold weight and are referenced in newer material whenever possible.
In order to allow unlimited freedom of storytelling, the Infinities label has been placed on the anthology series, Star Wars Tales. This means that not only can the stories occur anywhere in the Star Wars timeline, but stories can happen outside continuity."
- Cerasi via Sansweet
"West End published two of the game books, Scoundrel's Luck and Jedi's Honor, but I don't think they became part of the recognized EU history. It's pretty difficult to make a game book "official," since there are so many versions of every event."
"What did become a recognized part of the EU is Galaxy Guide 4: Alien Races. I still get a secret thrill when I find one of those aliens in some other author's work, and see where he or she has taken the species."
"It starts with the NJO "bible"--a huge compendium of outlines, glossaries, character descriptions, etc. Then each author writes an outline, which gets reviewed, revised, approved, and added to the next version of the bible--as do any new terms, characters, etc. introduced in recent books.
The NJO bible is, of course, an enormous undertaking--but only a small part of the story. Most of the real work takes place in emails and phone conversations between small groups of people. The brainstorming is great fun. Everyone talks to everyone--Del Rey and Lucasfilm editors to each other, editors to authors, authors to authors, and somehow Shelly Shapiro and Sue Rostoni keep it all straight."
-Troy Denning
"My advice: Forget everything you knew, or thought you knew about the origins of Boba Fett. While none of us have seen a script of Episode II or have an idea of the direction in which George Lucas is taking the character, it's fairly safe to say that he won't be held to any of the back stories that have arisen over the years to try to explain the roots of this strong, mostly silent type."
-Sansweet
"The two of them decided that to maintain quality, it would be
crucial to monitor the storylines of all projects and ensure that none
of their books contradicted one another. This continuity decision became
one of the department's biggest challenges--and greatest successes."
-SW Insider, via Graeme Dice
"These works spin out of George Lucas' original stories, the rest are written by other writers. However, between us, we've read everything, and much of it is taken into account in the
overall continuity. The entire catalog of published works comprises a vast history -- with many off-shoots, variations and tangents -- like any other well-developed mythology."
- SW Insider #23 (italics mine)
"Canon refers to an authoritative list of books that the Lucas Licensing editors consider an authentic part of the official Star Wars history. Our goal is to present a continuous and unified history of the Star Wars galaxy, insofar as that history does not conflict with, or undermine the meaning of Mr. Lucas's Star Wars saga of films and screenplays. Things that Lucas Licensing does not consider official parts of the continuous Star Wars history show an Infinities logo or are contained in Star Wars Tales. Everything else is considered canon."
-Rostoni
The same argument works against the very idea of "Official", too. It has no definition other than the one Warsies have outlined, and is indeed contrary to Lucas's "parallel universe" comments, et cetera.
It's definition can be found in Cerasi's quote, it's the blanket term for the rest of the published SW fiction, the windows into the SWU.
The term "official" does not appear in Cerasi's quote. "Continuity" does, however.
I consider "character" to be a rather specific concept . . . and much as I might like to do the reverse, I do not assume that someone is of good character unless I learn of it myself. As far as I am concerned, Lucas's character is tabula rossa, except for the whole Jar-Jar thing.

You can learn of it for yourself by sources other than personal contact, though, right? I mean, I've never met James Randi, but thanks to the content of his website I know I would definitely
like to meet the guy,
You can get information on a person's character from other sources, but whether it is a true representation of their true character can be a hit-or-miss affair. Again, basing an argument on the character of someone we don't know is tenuous, at best.
He does not seem the type to tell these hard working authors that their work has no meaning as they cannot be a part of Star Wars history.
He's already made it clear that he is willing to disregard their versions of his universe when making new parts of his own. I'd be a bit miffed if I were one of these "hard-working authors". Of course, that whole idea is predicated on the notion that the hard-working authors expected their tales to be part of the "real story of Star Wars" to begin with . . . but we have known for a long time that they aren't.