Prometheus Unbound wrote:Yeah they did capture it - In Star Trek TMP, TFF and STI. The first one is considered very boring by most people and the other two are disliked quite a bit.
Trek doesn't work on the big screen. Not for the dollar return.
Basically, you're taking these 3 examples, and saying "hi-concept sci-fi Trek" doesn't work in cinema - it only works on TV.
I mean, I understand your point, given the track record here. But really, each of these cases has something of an explanation. With TMP, Gene Roddenberry was trying to copy
2001: A Space Odyssey, which is legendary for being boring until they get to HAL. He thought audiences would be intrigued by endless shots of the Enterprise docking, and that the idea of an alien probe in search of it's creator would be awesome hi-concept sci-fi that everyone would love. And yeah, the idea is pretty interesting (it's basically the plot of The Changeling), but overall TMP was pretty boring, and more importantly, pretty much
nothing like the actual series. Star Trek 2, on the other hand, was more in touch with the actual series ... it was similar to that episode (I can't recall the name), where the Enterprise encounters Romulans for the first time and they have something of a "submarine" type action sequence in space. It's similar to the ending of Wrath of Khan.
With Star Trek V... it was just one disaster after another. They let William Shatner direct, and the plot was another one of Gene Roddenberry's "false god" scenarios. Plus it had all sorts of budget and production problems.
Arguably, Star Trek First Contact actually
was a "hi-concept sci-fi Trek" idea that more or less worked in cinema. I didn't really like it, but it was mostly well-received. I mean, it certainly wasn't the "big Borg action extravaganza" that everyone thought it would be from the trailers.
The point is, I don't really think Trek needs to be action-oriented - the only real case for that is the insane success of Star Trek 2, which ... if you watch it now, is pretty slow moving. I mean, it's considered a good movie mainly for the themes, the relationship between Kirk and Khan, the "no-win" scenario and Spock dying, and also Ricardo Montalban just being fucking awesome. In other words, it wasn't successful
because of the (limited) action - it was successfuly because of the characters.
I think a more idea-driven, high-concept take on Trek could work in the movies ... it's just that nobody's really tried lately, and the new Abrams movies were really more of a nostalgic cash-in than a proper Trek movie.