Who is John Galt? Who cares?

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Who is John Galt? Who cares?

Post by Patrick Degan »

Earning a 0% rating from RottenTomatoes.com and already getting panned from just about every critic in sight, Atlas Shrugged pt. 1 looks to beat out Battlefield Dearth for quickest time to box office failure from opening day.

A sampling of the bad press garnered so far:
Rand Appalling: New 'Atlas Shrugged' Movie Booed Off Planet
Greg Mitchell | April 14, 2011


It takes a lot to get a 0% at the mass market critics' consensus site Rotten Tomatoes. Pick an awful movie you can think of and it probably managed a 5% or maybe even a 25%. Somehow, Atlas Shrugged, Part I (yes! more to look forward to!), which opens Friday, has at this writing achieved the rare feat.

In other words, not a single critic to date, from major and minor outlet, high or lowest of low of lowbrow, likes it one bit. I like the headline over the Chicago Tribune review: "Taxing Indeed." Still waiting for "Don't Go (Galt) There." Or "Born Under a Bad Ayn."

Here's a sampling of commentary:

Carrie Rickey, Philadelphia Inquirer: "Atlas Shrugged. I arched eyebrow, scrunched forehead, yawned."

Roger Ebert: "The most anticlimactic non-event since Geraldo Rivera broke into Al Capone’s vault. I suspect only someone very familiar with Rand’s 1957 novel could understand the film at all, and I doubt they will be happy with it. For the rest of us, it involves a series of business meetings in luxurious retro leather-and-brass board rooms and offices, and restaurants and bedrooms that look borrowed from a hotel no doubt known as the Robber Baron Arms."

Joe Morgenstern, Wall Street Journal: "The book was published in 1957, yet the clumsiness of this production makes it seem antediluvian."

Bill Goodykoontz, Arizona Republic: "It has taken decades to bring Ayn Rand's "Atlas Shrugged" to the big screen.They should have waited longer."

Kurt Loder, the former Rolling Stone writer, for the Libertarian site, Reason Online: "The new, long-awaited film version of Atlas Shrugged is a mess, full of embalmed talk, enervated performances, impoverished effects, and cinematography that would barely pass muster in a TV show. Sitting through this picture is like watching early rehearsals of a stage play that's clearly doomed."

Peter Dubruge, Variety: "Part one of a trilogy that may never see completion, this hasty, low-budget adaptation would have Ayn Rand spinning in her grave."

Washington Post: "nearly as stilted, didactic and simplistic as Rand’s free-market fable."

Loren King, Boston Globe: "Even fans of Rand’s 1957 antigovernment manifesto may balk at having to endure dialogue that would be banal on the Lifetime channel, along with wooden performances..."
The few trailer clips I've seen confirmed my view that you can smell the odor of a bad movie coming off the screen. A cast of C- and D-list actors who'd be hard pressed to get work on a PSA these days spewing horribly turgid and ludicrous dialogue, a "heroine" who looks like she does the stuff when she's not spewing philosobabble, and a cinematic style that is at least fifty years out of date. It looked and felt like a disaster in the works and that was just from the trailer. And it won't even have the merciful brevity of the 1949 movie of The Fountainhead which starred actual name actors like Gary Cooper, Patricia Neal and Raymond Massey and was directed by Hollywood heavyweight King Vidor and that film was ridiculous even for its time.

I wonder how Randroids will react when the marketplace they so worship rejects this film? That itself makes the spectacle a delicious one to watch. A lot more so than the actual movie.
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Re: Who is John Galt? Who cares?

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Fatlass Smugged. :D

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Re: Who is John Galt? Who cares?

Post by Thanas »

The thing is that the book of course is in no way better.

So, bad source + ideologically motivated hacks = bad adaptation.
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Re: Who is John Galt? Who cares?

Post by Count Chocula »

Bleh. If a Libertarian Web site is panning the movie, there's trouble afoot. Heck, I read Atlas Shrugged twice and yes, liked it, even though it's stilted and about 400 pages too long. But I also like David Weber so YMMV.

I'm flashing back to the movie adaptation of Frank Herbert's Dune, another book adaptation that should have been eaten by a cat and barfed up. Oh, wait, it was!
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Re: Who is John Galt? Who cares?

Post by Crossroads Inc. »

Clearly it is a conspiracy by the evil big government trying to keep down the message of the virtue of Libertopia!
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Re: Who is John Galt? Who cares?

Post by Thanas »

Roger Ebert's review was especially damning:

I feel like my arm is all warmed up and I don’t have a game to pitch. I was primed to review "Atlas Shrugged." I figured it might provide a parable of Ayn Rand’s philosophy that I could discuss. For me, that philosophy reduces itself to: "I’m on board; pull up the lifeline." There are however people who take Ayn Rand even more seriously than comic-book fans take "Watchmen." I expect to receive learned and sarcastic lectures on the pathetic failings of my review.

And now I am faced with this movie, the most anticlimactic non-event since Geraldo Rivera broke into Al Capone’s vault. I suspect only someone very familiar with Rand’s 1957 novel could understand the film at all, and I doubt they will be happy with it. For the rest of us, it involves a series of business meetings in luxurious retro leather-and-brass board rooms and offices, and restaurants and bedrooms that look borrowed from a hotel no doubt known as the Robber Baron Arms.

During these meetings, everybody drinks. More wine is poured and sipped in this film than at a convention of oenophiliacs. There are conversations in English after which I sometimes found myself asking, "What did they just say?" The dialogue seems to have been ripped throbbing with passion from the pages of Investors’ Business Daily. Much of the excitement centers on the tensile strength of steel.

The story involves Dagny Taggart (Taylor Schilling), a young woman who controls a railroad company named Taggart Transcontinental (its motto: "Ocean to Ocean"). She is a fearless and visionary entrepreneur, who is determined to use a revolutionary new steel to repair her train tracks. Vast forces seem to conspire against her.

It’s a few years in the future. America has become a state in which mediocrity is the goal, and high-achieving individuals the enemy. Laws have been passed prohibiting companies from owning other companies. Dagny’s new steel, which is produced by her sometime lover, Hank Rearden (Grant Bowler), has been legislated against because it’s better than other steels. The Union of Railroad Engineers has decided it will not operate Dagny’s trains. Just to show you how bad things have become, a government minister announces "a tax will be applied to the state of Colorado, in order to equalize our national economy." So you see how governments and unions are the enemy of visionary entrepreneurs.

But you’re thinking, railroads? Yes, although airplanes exist in this future, trains are where it’s at. When I was 6, my Aunt Martha brought me to Chicago to attend the great Railroad Fair of 1948, at which the nation’s rail companies celebrated the wonders that were on the way. They didn’t quite foresee mass air transportation. "Atlas Shrugged" seems to buy into the fair’s glowing vision of the future of trains. Rarely, perhaps never, has television news covered the laying of new railroad track with the breathless urgency of the news channels shown in this movie.

So OK. Let’s say you know the novel, you agree with Ayn Rand, you’re an objectivist or a libertarian, and you’ve been waiting eagerly for this movie. Man, are you going to get a letdown. It’s not enough that a movie agree with you, in however an incoherent and murky fashion. It would help if it were like, you know, entertaining?

The movie is constructed of a few kinds of scenes: (1) People sipping their drinks in clubby surroundings and exchanging dialogue that sounds like corporate lingo; (2) railroads, and lots of ’em; (3) limousines driving through cities in ruin and arriving at ornate buildings; (4) city skylines; (5) the beauties of Colorado. There is also a love scene, which is shown not merely from the waist up but from the ears up. The man keeps his shirt on. This may be disappointing for libertarians, who I believe enjoy rumpy-pumpy as much as anyone.

Oh, and there is Wisconsin. Dagny and Hank ride blissfully in Taggart’s new high-speed train, and then Hank suggests they take a trip to Wisconsin, where the state’s policies caused the suppression of an engine that runs on the ozone in the air, or something (the film’s detailed explanation won’t clear this up). They decide to drive there. That’s when you’ll enjoy the beautiful landscape photography of the deserts of Wisconsin. My advice to the filmmakers: If you want to use a desert, why not just refer to Wisconsin as "New Mexico"?

"Atlas Shrugged" closes with a title card saying, "End of Part 1." Frequently throughout the film, characters repeat the phrase, "Who is John Galt?" Well they might ask. A man in black, always shot in shadow, is apparently John Galt. If you want to get a good look at him and find out why everybody is asking, I hope you can find out in Part 2. I don’t think you can hold out for Part 3.
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Re: Who is John Galt? Who cares?

Post by PeZook »

It's actually 7% now, and 86% of the audiences appear to have liked it. It's obviously out-of-touch ivory-tower intellectuals who panned the movie, real down-to-earth folks with common sense values liked it just fine.
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Re: Who is John Galt? Who cares?

Post by Iroscato »

I've never heard of the book, just seen the trailer. Good god, what a massive steaming pile of shit that no-one cares about. Roger Ebert was spot on with his review, that much I deduced from just watching the trailer...
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Re: Who is John Galt? Who cares?

Post by Dalton »

Captain Spiro wrote:I've never heard of the book, just seen the trailer. Good god, what a massive steaming pile of shit that no-one cares about. Roger Ebert was spot on with his review, that much I deduced from just watching the trailer...
This just smacks of me-tooism. "Haven't read the book or seen the movie, but I'll throw my two cents in because I saw a two-minute trailer!"
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Re: Who is John Galt? Who cares?

Post by CaptainChewbacca »

Captain Spiro wrote:I've never heard of the book,
Seriously? I've never read it, but I would think most of SDN had at least HEARD of the book.
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Re: Who is John Galt? Who cares?

Post by Dartzap »

CaptainChewbacca wrote:
Captain Spiro wrote:I've never heard of the book,
Seriously? I've never read it, but I would think most of SDN had at least HEARD of the book.
I never heard of it until I read about it here. Yay for Britain?
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Re: Who is John Galt? Who cares?

Post by Count Chocula »

^ To CC and Spiro,

Per my 1985 Signet paperback edition, Atlas Shrugged is a 1,084-page tome full of dense writing and philosophy. BTW: Spoiler
John Galt is Nikola Tesla: a buff, manly, virile but mysteriously withdrawn Nikola Tesla from the Midwest and not Serbia.
My 1971 edition of Rand's The Fountainhead is 695 pages long, and I frankly prefer it to AS.

My 1961 Signet edition of Rand's For the New Intellectual is...192 pages. Hmm. Still longer than The Communist Manifesto, but 1/5 the length of Mein Kampf.
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Re: Who is John Galt? Who cares?

Post by Sam Or I »

I will admit I enjoyed the book.

But I would never think of trying to bring it to the big screen with out some real heavy weight talent, and a great dialouge doctor.

There is not much action in the book, or too much drama other than backroom deals and such.

From the picture I have seen of the trailer it looks bright and cheap, the oppisite of my imagination (dark and wore down.)
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Re: Who is John Galt? Who cares?

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Dalton wrote:
Captain Spiro wrote:I've never heard of the book, just seen the trailer. Good god, what a massive steaming pile of shit that no-one cares about. Roger Ebert was spot on with his review, that much I deduced from just watching the trailer...
This just smacks of me-tooism. "Haven't read the book or seen the movie, but I'll throw my two cents in because I saw a two-minute trailer!"
Yeah, it was a bit of a pointless post, I was in a rush. And usually I see a film if I like the look of it, not if I've been steeped in its lore for years. Marvel films, for instance, I never read comic books. All I was saying was I can spot a bad film a mile off, like most people :D
Yeah, I've always taken the subtext of the Birther movement to be, "The rules don't count here! This is different! HE'S BLACK! BLACK, I SAY! ARE YOU ALL BLIND!?

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Re: Who is John Galt? Who cares?

Post by Thanas »

Count Chocula wrote: BTW: Spoiler
John Galt is Nikola Tesla: a buff, manly, virile but mysteriously withdrawn Nikola Tesla from the Midwest and not Serbia.
Could you elaborate on that? I never saw much paralells between Galt and Spoiler
Tesla
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Re: Who is John Galt? Who cares?

Post by Count Chocula »

Thanas:

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Re: Who is John Galt? Who cares?

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But what are the specific hints that it is indeed him, and not just some collage?
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Re: Who is John Galt? Who cares?

Post by Count Chocula »

None, really. Rand doesn't come out in any of her works and say it, although they were certainly contemporaries and Rand was certainly aware of him. It's my impression of the John Galt personality filtered through my readings of Tesla's biographies. He seems to be the closest fit for the era, more so than Edison or Hughes.
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Re: Who is John Galt? Who cares?

Post by Phantasee »

Count Chocula wrote:^ To CC and Spiro,

Per my 1985 Signet paperback edition, Atlas Shrugged is a 1,084-page tome full of dense writing and philosophy. BTW:
Hey, I have the same edition! I couldn't finish the last third of the book, Galt's speech is just too damn long and wordy. I had to look up a summary :lol:

I imagine that will be the third movie of the trilogy: John Galt, boring the audience to death for three hours as he does his monologue.
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Re: Who is John Galt? Who cares?

Post by Simon_Jester »

Perhaps it would be more accurate to say he is sort of like Tesla? Not a thinly veiled copy or something, but "inspired by" in the same sense that so many other literary scientists were inspired by but not directly based off real individuals?

That said, the railroad thing is an inherent problem with the book. It was written in the '50s when rail travel was the main form of commercial transportation, the interstate highways didn't really exist, and civil aviation was still the province of the rich and the few. Transferring the railroad-centric plot into the modern era makes the film dated by necessity- though I wouldn't be entirely surprised to discover that rail will become more important in the 21st century than it was in the 20th, as energy prices rise.
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Re: Who is John Galt? Who cares?

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What boggles me is why the hell they7 didn't just cast it in the 50's ?
I mean from watching the previes it LOOKED like it was set then, all the interiors and fancy nearly artdeco sets, why is it movies are obsessed with casting movies in modern times. ESPECIALLY when it makes no sense from the story used?
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Re: Who is John Galt? Who cares?

Post by Bakustra »

Crossroads Inc. wrote:What boggles me is why the hell they7 didn't just cast it in the 50's ?
I mean from watching the previes it LOOKED like it was set then, all the interiors and fancy nearly artdeco sets, why is it movies are obsessed with casting movies in modern times. ESPECIALLY when it makes no sense from the story used?
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Re: Who is John Galt? Who cares?

Post by Sriad »

I wish I were a movie reviewer so that I could use my article title: "Atlas Shrugged, and So Did I".

:lol:
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Re: Who is John Galt? Who cares?

Post by Zor »

Two Questions

1-How much did holywood decide to invest into this load? I say this because it did not look that expensive.
2-Are there enough Tea Partiers and Libertopians that will watch this any way for it to turn a profit?

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Re: Who is John Galt? Who cares?

Post by Dalton »

Estimated at $15 million, for the IMDb-handicapped. Fairly low for a movie.
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