Kojiro wrote:The Romulan Republic wrote:I hate that. It sounds like pandering to people who were disgruntled because they dared to do something new.
I'm as much for new takes on classic characters as anyone but making a character into a
facade is too far. There is something... deceptive... about using the name recognition of something when what you're selling is
utterly different that just doesn't sit right with me.
The topic of 'how much to respect the source material' could be an interesting one for another thread.
"Doing something new" is one thing; turning a powerful, interesting villain into a literal joke is another. I thought making the Mandarin into a Bin Laden-esque terrorist leader was a good example of 'doing something new' with the character, while respecting the character's roots. Writer/artist John Byrne has said that, when he was called upon to update characters (like Superman in the "Man of Steel" miniseries), he started by thinking, "What elements of the character can I keep?" He has also stated that, to him, Hollywood starts by thinking, "What can we get rid of?" You can see this mindset at work in the Fantastic Four reboot, and how they've twisted and changed the X-Men for film.
I'm a longtime Iron Man fan; Iron Man was the start of my love of powered armor. I enjoyed Iron Man 3 in spite of the twist; to me, it was still a strong movie, with some great character moments and an interesting take on Tony Stark (tinfoil suits notwithstanding). I did think the Mandarin twist was amusing, but it seemed to me that they went TOO far with it. I explained to my wife that it would be like a Batman movie that played up an epic battle with the Joker-- only to have the Joker revealed as some nobody who was hired to play that part, to distract Batman--that there never really was a Joker. She winced and said that a movie like that would suck. The Mandarin is Iron Man's greatest nemesis; turning him into a shell for someone else really stinks of Hollywood trying too hard. The One-Shot reads to me like a classic retcon in play, and I for one would love to see what they do with the REAL Mandarin down the road.
As a side note, it's more than a bit insulting, to me, to dismiss the Mandarin as a 'Yellow Peril' villain. Yes, he started like that in the 1960s, but they moved FAR away from that concept as the comic went on. The opinion that the Mandarin can't be properly translated to film because it would be racist, to me, reads like racism. It's like they're saying that a powerful, interesting villain CAN'T have an ethnicity other than Caucasian. The Iron Man movies haven't really deviated from that blueprint: Iron Monger, Whiplash, and Killian all fall into that mold. What's the problem with having a badass villain who HAPPENS to be Asian, and who uses ancient iconography as his calling card?
I don't like being a bastard, but they leave me no choice.
-Marshal Law, "The Hateful Dead"